Contact – email@example.com or Alistair McDonald – Artist on Facebook
I live at Bottle Creek, Paremata on the Pauatahanui arm of Porirua Harbour, 30km north of our capital city Wellington.
I spent my 20s working and travelling overseas, then worked as a lawyer for 25 years. Art was my weekend antidote for that. Now it’s mostly art.
My work includes painting (oils and acrylics); illustration and cartooning (pencils and inks); sculpting (wood, Oamaru stone, mixed media); and stained glass.
Hope you enjoy.
New Zealand Landscapes – Oils
“Landscape belongs to the person who looks at it” (Ralph Waldo Emerson)
We live in a continuous postcard here: most of the colours and shapes with few flat horizons – the land bossing the sky.
And always “subject to geological change without notice” (Durrant). It’s an invitation to alter and intensify – and challenge a bit.
Japanese influenced – Acrylics
I got hooked on the ukiyo-e (woodblock prints) style via an exhibition of Ando Hiroshige’s fans at the Victoria & Albert Museum in London – bold flat expressive colours, clean line drawings and stories of another era and culture. I have tried to imagine how Hiroshige (1797-1858) may have shown modern Wellington and Auckland urban scenes if he were alive today.
3 things that reflect what I do
1 Right v Left
During a period teaching law, I developed a problem solving model for lawyers involving choices of left or right brain thinking at stages of a process. This helped my own practise but in the end creative thinking was not at the centre of it.
Making art involves problem solving too of course: applying rules and critical thinking but then letting the creative side loose, calculatedly or not.
So, I like using that inter-change more now – being open to accidents and where it may end and, especially, being my own client.
The stories are alive, doesn’t matter whose culture.
3 Colour Choices
I am one of the 10% of males who are red-green colour vision “deficient” where the reception of my red cones shifts (moderately) towards green.
I can see a strong mid-red against a mid-green, but reds can disappear within some mixes (browns, violets or pinks) or when the red area is small. I have to concentrate on shapes to see pohutukawa (crimson) flowers when on the tree – the whole tree is initially dark green – but I do see rata (orange/red) flowers easily. Tree trunks are also green.
As a result, I avoided colour from age 5 (the very common purple sky/unaware teacher story) until my 40th birthday when I decided that I had been gifted 2 opportunities:
– a point of difference, in that I live in a parallel (colour) universe to 95% of everyone else; and
– a challenge, as to how to share that in my art.
Either way, there is no temptation to do “realism”, which is liberating.
Feel free to message me if you have a colour vision “deficient” child (1 in 256 females, it’ll be a boy) – don’t let him waste 35 years. Otherwise, Colblindor http://www.color-blindness.com and /https://en.wikipedia.org/wiki/Color_blindness are good places to start.